
Follow along with the fun! My 6-week
Pottery
Class Journey
Intro : class
one : two : three : four : five : six
Going to Pot(tery Class)
Before Class Attitude (BCA):
I
was totally excited about taking this class. The last time
I remember working
with real clay was in third grade when I
made some pinch-pot thingy that turned into an “I love
you Mom” flower holder wall hanging. (I remember that
piece well because Mom kept it hanging in our kitchen well
into my 20s!)
Wheel thrown pottery? Never done it. But Stella assured
me that it would be a lot of fun. Plus her personality oozed
patience
so I was completely at ease with the idea. Besides, the course
catalog noted that the class was “designed for beginners
as well as those who are somewhat experienced in creating
pottery on the wheel.” What a great opportunity to learn
something new with other newbies!
Class Experience:
I arrived at the art studio
15 minutes before the class started. Stella was there getting
things ready for the class. There
would be five students total, and as each one arrived we
introduced ourselves and warmed up with the usual “getting to know
you” banter.
First there was Natalie*, who had already been doing wheel-thrown
pottery for a year. Then walked in Lena*, who had a pottery
wheel and kiln at home. Next was Gloria*, who came in to work
independently on her own advanced clay projects (not sure
if she was part of our class). Do you notice a
theme
here? These people were beyond somewhat, and I was
the only beginner. That was until Tina* walked in. She was
new to wheel
thrown
pottery,
but had
worked
with
clay
before.
As class began, we all stood around a table where Stella cut
each of us several pieces of “stoneware” clay and
instructed us how to "wedge" (knead) it together and work out
any air pockets. Next, she took a lump of clay to a potter's
wheel
and demonstrated how we were to “throw” it onto
the center of the wheel (which is the only “throw” in “wheel
thrown” pottery), and work it into a simple bowl. Through
the demo she used words like “centering” and “coning” and
made it all look quite simple. Afterwards, we were allowed
to choose our own wheels and spend the rest of the class making
bowls.
(Note: you can refer to the Learning
to Throw page on the goshen.edu Web site to see photos
of the techniques we were learning.) “Okay, cool.” I thought. “This is it.”
I sat in front of my wheel, threw a lump of clay onto the
center, pushed the pedal down (think sewing machine) and the
wheel started spinning. Whoops, too fast. So I eased up. Too
slow. Hmmm… variable control.
I finally found a comfortable speed and was mesmerized by
my off-centered spinning lump. “Uh oh, what now?” My
mind went blank. I already forgot what I was supposed to do.
For the first of about a dozen times, Stella checked
on me and helped me get started. “Seal the base with
your finger.” She motioned. I did.
The next hour was a blur, but I remember her visits consisting
of:
“Brace your arms on your legs.”
“Turn the wheel faster.”
“Use this part of your hand.”
"Can you feel it off-center?"
“Yes, you can chuck that into your scrap bucket and
start again.”
“I want to see a muffin shape.”
"No, not a poofy top muffin."
“No it’s okay…”
“Here, let me show you again on my wheel.”
“You’re doing okay Chris.”
“Yes, you can start again.”
“Too much water.”
“See mine, yours should look like…”
“Squash it down more.”
“Cone it up more.”
"Nope, you can fix that."
“Not enough water.”
“Look at mine…”
“Smooth that out more.”
“It’s okay if you just ripped the top off.”
“Do you want to try another?”…
Somewhere between the second
and third throw my frustration level grew beyond my comfort
level. I quickly forgot
about the “fun” I was supposed to be having
and lost my inner coolness. I just wanted to "throw" my
clay at the wall and go home. My patience left me and inside
I FELT
like a third
grader!
Oh,
my exterior
was
alright,
I’m
good at hiding things. I think.
It was obvious that others in the class (even Tina) were having
a much easier time of it, and that made it even more difficult
for me. They were all completing one or two bowls apiece, and
I couldn’t properly do one. When you’re in a group,
there’s always a certain level of “trying to keep
up” so you can stay on the same page with everyone else.
My first lesson: My classmates were already on a different
page before class even began. I had to find a way to accept
this truth and be “okay” with being imperfect (I
can hear SARK now...).
After Class Attitude (ACA):
As I mentioned
in the introduction,
I seriously contemplated dropping this class. Fantasizing
about not going back helped
get me through the tough time I was having. I rationalized, “I’m
taking this class for fun, not for frustration!” Who
needs that?
Oh, yeah, it didn’t help that after class we toured
an art gallery featuring some AMAZING stoneware dishes crafted
by talented potters in the same studio. One set in particular
reminded me of an antique tea set you’d find at a Tiffany’s
auction. I remember standing in front of it while looking at
the clay drying under my fingernails.
Although life IS too short to voluntarily agonize through
such things, I realized that I’m taking this class for
more than just fun. There’s an experience here to enjoy
beyond my tiny frustrated mind, and there’s important
things to learn that reach beyond a lump of clay and temperamental
wheel. Everyone HAS to begin somewhere. And even if I’m
the beginner, so be it. Others in the class were beginner's
at one time too. They know what I’m going through, and
as long as they don't point and laugh I'll be okay (or we'll
really know what clay throwing is!).
I will go back. I will try again. And I KNOW it won’t
be as hard as the first time.
And so I grow. (© 2005 Chris Dunmire) •
Next: Pottery
Class: Day 2
*All fake names to protect the innocent, even
though they're much better pottery makers than I. |